Only tell the reader what is being seen. When describing people, places and situations never tell the reader something that can’t be seen by a person sitting in the theater watching the movie unfold. Resist the urge to explain or provide exposition. Do not give us backstory or the inner monologue of any character. Do … More On Language in Scripts – Scenes and Narrative (Part 3)
On the first page… From the very first moment, you – the writer — are responsible for what will appear in the frame of the picture of your film and in the imagination of your reader. Starting right after the words “Fade In,” you begin to create a world in which your story exists. From … More On Language in Scripts – Scenes and Narrative (Part 2)
Dialogue and description. Dialogue and description are the two functions the words in your script serve. How you choose to describe a scene and what you have your characters say are where your reader lives. They are the two elements that define the experience of your screenplay for the reader. Writing dialogue and description … More On Language in Scripts – Scenes and Narrative
The reason we write scripts is to see them made into movies. The reason movies get made is because an actor or actress wants to be in your movie. So how do we breathe “life” into our characters to make them appealing to both actors and non-actors alike? Give your character signature traits As we … More Make Your Audience and Your Actors Love Your Characters
Creating a character usually starts with one defining trait. It can be a look, an attitude, an emotion or an action. S/he can be based on someone you know or know of, or the character can be made up from whole cloth. The goal is to create a character who feels real. What makes a … More Creating Compelling Characters
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