Once you’ve defined your premise and created 3-dimensional characters with a “Unity of Opposites,” how to realize your plot on the page…? Point of Attack At what point do you attack a story? People always say “start late, end early.” What does that really mean? What sets a story in motion? What makes a character … More Art of Dramatic Writing, Part 4: Crisis, Climax and Resolution
Now that we’ve discussed Egri’s take on the pivotal characters in a script, let’s look at how the protagonist and antagonist work in concert to create the dramatic structure that is your script. Orchestration There is a saying, “There is no action unless there is a need; and there is no need until there is … More Art of Dramatic Writing, Part 3: Conflict and Unity
Last week, in our our examination of the valuable ideas in TADW, this week, we looked at what Lajos Egri had to say about the premise of your script and why it is so important. This week, let’s look at what he has to say about creating characters. Character Egri likens characters and their actions … More Art of Dramatic Writing, Part 2: Character
People ask me how I developed my ideas and theories about writing for theater and the screen. They often ask where they can go to get more information and develop their own deeper understanding of the craft of screenwriting. Three Basic Rules I start by telling them my three essential rules: Put your butt in … More Art of Dramatic Writing, Part 1
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